JOURNAL PROJECT: HIPPY SUBCULTURE GUDIE

DESCRIPTION

                                                                   L'Air Du Temps
                                                               Stylist: Lucinda Chambers
                                                            Model: Guinevere Van Seenus
                                                           Photographer: Javier Vallhonrat
                                                                Vogue UK, April 2011

Whenever I find an old silk kimono peeking out

from the cluttered racks of some vintage store,

I feel compelled to pick it up.

The evocations are two-fold.

There's the traditional Japanese basis,

and then there's that inkling of 1940s g

lamour and the fascinatin with all things exotic.

Guinevere Van Seenus' shoot for Vogue UK typifies that.

She's like an Art Deco dame, dripping in an eclectic

mass of accessories: bangles, beads, silk flowers

tassels, precious stones, butterflies...

If inspiration on how to pul

l together clashing prints is what you're after,

then this explosion of oriental florals is surely

one to peruse.

I feel cute of MEAAHAM KIRCHHOFF shoes ,it is nice one bring the spring trend ~

Platform soles were mainly worn by women and more fashionable men. There were health warnings about damage that could be caused to the back in later life, but the fashion did not last long enough for that to have an effect. There was an element of thirties retro in the style of some of the shoes, which echoed the thirties' love of two-tone or co-respondent black and cream or brown and cream colours. Bright colours also gave the shoes more of a space age look.

MEAAHAM KIRCHHOFF 2011SPTING SUMMER VIDEO

THE VOGUE OF SPTING TIME

An atmosphere heavily loaded with, memories but reinvented by using, technical innovations. To maintain the feeling of softness and a nostalgia of charm, there are sophisticated constructions, digital prints, placed jacquards, audacious accents, and subtle featherweight effects, silks, fine cottons, blends.

Then there are the refined, luxury lines of coordinates made to last: it's the triumphant return of the camisole, bodices, teddies: all expressions of an eternal seduction.

1960'S HIPPY FASHION STORY VIDEO :

HIPPY STORE VIDEO

THE HAIR STYLISH OF HIPPY

The braid that falls to the waist, thick, is another great snake. It's like a chain, a rope woven, heavy, bulky, almost too exaggerated. Melena and women. Or woman for being, whole, full hair, pure hair. Ariadna Murenu think also. That is a twisted sort of heavy wire that is offered to take it. There is another fact, costume or staging, which strengthens the impression mentioned: the slave, Cato Van Ee bracelet carries in his arm, another snake, which is adorned with knotted knotting and suggests the other and itself.

But are the black eyes that fascinate, thrill enigmatic resonance in rivalry and complementarity with the braid that falls. Los Ojos, the mystery of the trap, the wide braid-rope, the seduction of being a prisoner of the beautiful. The expression of the handcuffed. Bella Is it not the presence of Lady Death? Who else calls you and leads nowhere with just look at you and through the influence and denial of sex life? Or it is the Dream? "The most beautiful of dreams? I believe not. Perhaps nightmare. And the woman is in silent suspension on the black stage, the dark background. She waits and watches. You know it's his power, his domain: he is a prisoner of his image, but has the power to make prisoners with their image, their eyes.

!!!!!STYLE STYLE !!!!!

I have been going to find some style shop travelling in the ICELAND ~I took a picture on the street store .

THE hippy style of the late sixties, there was nostalgia for the past. First for the 20s and 30s, then the 40s and 50s and finally the Edwardian era. There was also concern for the environment and strong ethnic influences.

Men's fashion adopted a look that would have been considered too feminine a few years earlier. Shirts were tight fitting with big collars and were brightly patterned. There was also a trend towards unisex clothes.

The formal suit was still expected to be worn to a dinner party in the 70s; for younger men it was usually only worn in the office or for formal occasions. Jeans, increasingly flared, were popular with men and women for everyday wear.

By the end of the decade, change was on the way. Punk rejected everything that had gone before.

Longer dresses, inspired by the hippy era of the late sixties, were also in fashion, with paisley or floral patterns being popula